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SuperTeacherTools |
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voice actor
synthesizer
sampling frequency
sound FX
composing
database
file-naming convention
mount
sound context
Red Book standard
field recording
mixing
bit rate
sound engineering
windscreen
cue
chorus
composite sound
sound meter
canned sound
sound rendering
boom mouny
actual sound
mono
shock mount
Refers to specifications for the physical properties of compact discs and for the digital audio on the discs.
Places the microphone at the end of a long overhead pole so the microphone can be placed above the source being recorded.
Made by a sound engineer using a microphone and recording device outside of the studio.
Similar to reverb except it adds a delay to the sound to simulate more than one sound source.
Several sound assets mixed to render a single sound.
Suspends the microphone on rubber or springs so any vibration from the main mount will not interfere with the recording.
Number of bits of data transferred per second; refers to the number of bits of information recorded for every unit of time, such as bits per second (bit/s).
Description of what and where an action is occurring.
Creating music.
Sound made by a real object, animal, or person.
Art and science of creating, editing, mixing, and synchronizing sounds
Measures the level, or volume, of sound in decibels.
Process of combining two or more recorded sounds into a single sound.
Device used to hold and place a microphone.
How many times per second the sound data are recorded.
Trigger for an action, such as playing a sound sample.
Process of using sound to communicate feelings, effects, and acoustic reality in a virtual world.
Organized system of storing information that allows for searching and retrieval of the data.
Standardized way of naming an asset.
A prerecorded, standard or stock sound that can be used in various applications; comes from the physical metal containers that were used to store tape recordings.
Foam or furry cover over a microphone that reduces wind noise detected by it.
Having a single audio channel; short for monophonic.
Active sounds or audio game assets used as content or artistic enhancements within gameplay and usually played in response to action in the game; also called sound effects.
Creates artificial sounds from pure tones.
Person hired to be the voice of a game character.
| Description | Match: |
Organized system of storing information that allows for searching and retrieval of the data. | database |
Creating music. | composing |
Trigger for an action, such as playing a sound sample. | cue |
Sound made by a real object, animal, or person. | actual sound |
Similar to reverb except it adds a delay to the sound to simulate more than one sound source. | chorus |
Creates artificial sounds from pure tones. | synthesizer |
Person hired to be the voice of a game character. | voice actor |
Several sound assets mixed to render a single sound. | composite sound |
Measures the level, or volume, of sound in decibels. | sound meter |
Number of bits of data transferred per second; refers to the number of bits of information recorded for every unit of time, such as bits per second (bit/s). | bit rate |
Device used to hold and place a microphone. | mount |
A prerecorded, standard or stock sound that can be used in various applications; comes from the physical metal containers that were used to store tape recordings. | canned sound |
Process of combining two or more recorded sounds into a single sound. | mixing |
Description of what and where an action is occurring. | sound context |
How many times per second the sound data are recorded. | sampling frequency |
Active sounds or audio game assets used as content or artistic enhancements within gameplay and usually played in response to action in the game; also called sound effects. | sound FX |
Having a single audio channel; short for monophonic. | mono |
Process of using sound to communicate feelings, effects, and acoustic reality in a virtual world. | sound rendering |
Made by a sound engineer using a microphone and recording device outside of the studio. | field recording |
Art and science of creating, editing, mixing, and synchronizing sounds | sound engineering |
Standardized way of naming an asset. | file-naming convention |
Foam or furry cover over a microphone that reduces wind noise detected by it. | windscreen |
Suspends the microphone on rubber or springs so any vibration from the main mount will not interfere with the recording. | shock mount |
Places the microphone at the end of a long overhead pole so the microphone can be placed above the source being recorded. | boom mouny |
Refers to specifications for the physical properties of compact discs and for the digital audio on the discs. | Red Book standard |
